Since this blog is not nor has ever been about chronicling the days and nights of tango life in detail, it is prone to these periods of inactivity. I always feel obligated to have a particular topic or thread of thought before I begin to write, yet I don't want to force something into existence just for the sake of updates.
That being said, sometimes I wonder just what it is that brings me to write in this public forum. For my own personal use I keep a private journal with thoughts and observances, notes on things to work on and such. These are things that specifically address my own issues with the dance, primarily technical issues, and as such are of little use to anyone but myself. The utility of this blog, as what has seemed to happen without conscious intention on my part, has been to raise questions without clear cut answers and gather responses from others. Although oftentimes I don't really see what I am presenting to the world that adds to it in any genuinely practical way. Or perhaps, to put it another way, there is a preponderance of tango blogs out there and the issues that pop up always seem to be the same ones--authenticity, floorcraft, new vs. old, finding ones place in the community, etc. So what am I asking--indeed, what can I ask of practical and common relevance--that hasn't been asked before or will be asked again? And has anything really been resolved? Or is it just about finding comfort bitching to the world from our lofty idealistic viewpoints of what should be, and that is all we bloggers can hope to take from our scribbles?
Also, in writing about tango--at least, in writing about the dancing of tango--I'm wondering if it's a misguided attempt at correlation and a practice that directly contradicts what I referenced in my last post regarding the overanalysis of tango. What am I doing here but analyzing the dance and the culture, often with considerations that may be far removed from anything truly relevant about tango or with no basis in anything that actually exists outside of my imagination? And do I share these considerations which may be deliberately peculiar as an effort to inject something different in the tango blogosphere? As a means to distinguish this blog from all the others? And to what end?
As has been the case especially of late, this entry is a meandering one. My apologies.
THIS DOCTOR SAYS HE KNOWS HOW THE BRAIN CREATES CONSCIOUSNESS
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THIS DOCTOR SAYS HE KNOWS HOW THE BRAIN CREATES CONSCIOUSNESS. NEW EVIDENCE
SUGGESTS HE'S ON TO SOMETHING
BY DARREN ORF DEC 18, 2024
For nearly his enti...
2 days ago
1 comment:
What I would love to read is what *tango* is in your eyes. Not about style, or steps, but what keeps you making the distinction between tango and *not tango*, as you did a while ago while writing about your experiences with open frame dancing.
And at the end of a longer exploration, maybe via many bloggers, I would like to find out how we can give *tango* if there is anything remotely universal in it, to others, to newcomers, to teachers, etc.
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